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Logic Pro X Alchemy Overview | Mastering In Logic.Camel Audio Alchemy Lives On In Free Updates To Logic Pro, MainStage – Synthtopia |
Let's Dig Into Alchemy - .
Alchemy is an easy-to-use, yet powerful sample manipulation synthesizer. It offers numerous real-time performance controls and an extensive preset library.
Alchemy features additive, spectral, and granular synthesis and resynthesis, sampling, and virtual analog engines. You can analyze imported samples and can manipulate them using one or more of these synthesis methods. Alchemy provides extensive sample mapping, looping, and grouping facilities that make it easy to create instruments containing hundreds of samples and layers. If you want to create purely synthetic sounds, the additive, spectral, and virtual analog synthesis engines are full-featured, matching or exceeding the power and facilities of many standalone instruments.
An Alchemy preset can contain up to four sources, each using one or more synthesis engines. You can morph or crossfade between these sources. Dozens of modeled analog and digital filters are available, in addition to multiple racks of integrated effect units and an extensive modulation section.
Alchemy also features a powerful arpeggiator that can control each source independently and provides flexible pattern modulation options. Again, adjust til you find the sweet spot.
Flex Pitch is a tool in Logic Pro X that allows you to adjust the pitch of a vocal performance note by note. That means you can select individual off notes to correct, rather than applying an effect over an entire track. This is a great idea if you are trying to get a more natural tone overall. Step 1: Vpn client pro ios. Zoom in on the vocal track, and you'll see that Logic Pro has added some little blue boxes to the audio recording.
These denote the pitch of each note. From here, you can literally drag each of the blue boxes in your audio region to the desired pitch! The Pitch Correction plug-in in Logic Pro can be used in realtime, if you have a need to auto-tune vocals on the way in. Unfortunately the Flex Pitch function is a more manual approach, so if you like using correction on the way in, and Logic's in built tool isn't doing the trick, try some of these third-party plugins and see if they get you where you want to be.
So, now you've learned how to use Logic's Pitch Correction tool to automatically alter a vocal performance, and the Flex Pitch function for a more manual, fine-tuned approach. We're currently conducting systematic tests with the release version of macOS 11 Big Sur in order to offer full compatibility of our products as soon as possible.
You can find our latest compatibility status - here. Please note that although announced at the same time as macOS Big Sur, Apple Silicon processors are an independent release with separate compatibility concerns for NI products. At the moment, Native Instruments products are not supported on computers with Apple Silicon processors.
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Let's continue these logic pro tutorials with an expose on Auto-tune! What Is Auto-tune? Let's get started… When And Why To Use Auto-tune This might seem obvious, but there are actually a few reasons you might want to use auto tune.
To Create A Specific Vocal Effect Popular in modern hip-hop and RnB, heavily autotuned vocals have become a regular feature used by rappers and vocalists in these genres. To Create A Vocal Harmony A little known use for pitch correction is to take the original vocal recording which may already have had auto tune applied , and create a vocal harmony by changing the pitch of each note sung.
Pitch Correction Tool — An intuitive and simple way to bring vocals in-tune Flex Pitch — A slightly more manual approach that gives you the ability to fine-tune a performance External plug-ins such as The T-Pain Effect, or Antares Auto-Tune We're going to focus on using the first two options in Logic Pro X, and how you can get using auto-tune to create pro level tracks.
Step 3: You'll then want to select Normal or Low depending on the range of the sources. But have a play around with the two options and see what sounds best to you! Too slow, and Logic may miss some fleeting out of tune notes.
Season to taste. As well as holding a sawtooth or square wave, Alchemy can import a series of mapped samples into a Source. The mapped samples could be a series of one-shot, velocity-switched drum samples, for example, or a collection of multi-sampled pad sounds spread across the full range of the keyboard.
As each Source has its own sample map, Alchemy instantly trumps the EXS24 in its ability to have four discrete layers in a single patch. One key concept to grasp as this point, though, is that the samples can be imported using a series of different modes — Additive, Spectral, Granular and Sampler.
Once the sample data has been loaded into a Source, we can start to get creative. The key signal-processing features to note are that the playback engine has two separate multi-mode filters as well as four independent effects busses A, B, C and D and a Main effects bus. The immediate creative task is to think about how each of your four Sources could use these features, maybe routing groups of Sources through different filters, for example, or using a different effects block for each Source.
The walkthrough illustrates some examples using drum samples, but there are any number of interesting options to explore outside of this, especially when you start to also add in the possibility of including modulators like LFOs and step sequencers to control these signal processors. One of my favourite creative applications of Alchemy is the Granular Engine, which is one of the alternative ways you can import and manipulate sample data. Rather than simply playing back the sample data sequentially, the Granular mode sees the sample data as a series of sound grains, each lasting no more than a few samples.
By repeating these grains, a sound can effectively become frozen in time, or you could slowly move through the grains to produce a wavetable-like sound. As the walkthrough illustrates, this can sound great on drums, particularly for glitch-like treatments in harder forms of electronic music. While I would always favour the EXS24 for more complicated mapping tasks, Alchemy clearly comes out on top when it comes to sonic mangling.
Click on the Saw label to open the drop-down Source menu, where you can select the Import Audio option. You should now be presented with a file browser. Drag the included samples over to the Dropzone and order them as you want them to be arranged on the keyboard, starting from C1. Once this is sorted, press the Import button to have Alchemy map the samples.
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